Cornelia Sommer is a bassoonist, arranger, and educator dedicated to sharing music with diverse audiences and expanding the bassoon’s repertoire. Originally from Seattle, she is now based in New York City where she recently earned her D.M.A. at The Juilliard School.
Cornelia’s performance and research projects have focused on music inspired by fairy tales. As a recipient of the Presser Foundation Graduate Music Award and an International Double Reed Society Grant, Cornelia will release her first album, “New Enchantments: Fairy Tale Music for Bassoon,” in 2023. The album includes three of her own arrangements and three commissions by composers Max Grafe, Sato Matsui, and Iván Rodríguez. Cornelia’s doctoral dissertation, titled “Magic, Distance, and Simplicity: Archetypal Patterns in Fairy Tale Music as Analyzed in Chamber Pieces by Ravel, Janáček, and Schumann,” was awarded the Richard F. French Prize for an outstanding dissertation. On Instagram, Cornelia (@pulcinellie_) has a large following for her weekly videos of bassoon excerpts from fairy tale music.
In addition to her position as Principal Bassoonist of the Cayuga Chamber Orchestra, Cornelia regularly appears with world-class ensembles including the Boston Symphony, Seattle Symphony, International Chamber Orchestra of Puerto Rico, New World Symphony, and, on historical instruments, American Bach Soloists and Juilliard415. As a chamber musician, she has performed with the Breaking Winds Bassoon Quartet and at the Kennedy Center, Norfolk Chamber Music Festival, and Fischoff Competition. She has played concerti with the Coeur D’Alene Symphony and an Indiana University orchestra; she was also a Meg Quigley Vivaldi Competition Semi-Finalist and the recipient of the Yale School of Music Alumni Prize and Benzaquen Career Grant.
Cornelia actively seeks to expand the bassoon’s repertoire through her collaborations with composers and her own arrangements. In addition to the new works on her forthcoming album, Cornelia’s arrangements have been performed around the world by members of the Atlanta Symphony, Detroit Symphony, and New York Philharmonic, and her arrangement of Stravinsky's Pulcinella for bassoon and piano was released in 2021 through TrevCo Music Publishing.
An experienced educator, Cornelia teaches and tutors bassoon, piano, music history, music theory, and writing. Cornelia has served as a professor of music history at Juilliard and a Teaching Fellow in arts education at Juilliard, Teaching Artist in Yale’s Music-In-Schools Initiative, bassoon instructor in the Yale Department of Music, and faculty member at Seattle’s Vivace Chamber Players. She has presented masterclasses and lectures at the University of Alabama, Colorado State University, University of Central Arkansas, and International Double Reed Society Convention.
A graduate of Juilliard (D.M.A.), Yale University (M.M.), and Indiana University (B.M.), Cornelia has studied bassoon with Frank Morelli, Kathleen McLean, William Ludwig, and Francine Peterson, and baroque bassoon with Dominic Teresi.
Cornelia’s performance and research projects have focused on music inspired by fairy tales. As a recipient of the Presser Foundation Graduate Music Award and an International Double Reed Society Grant, Cornelia will release her first album, “New Enchantments: Fairy Tale Music for Bassoon,” in 2023. The album includes three of her own arrangements and three commissions by composers Max Grafe, Sato Matsui, and Iván Rodríguez. Cornelia’s doctoral dissertation, titled “Magic, Distance, and Simplicity: Archetypal Patterns in Fairy Tale Music as Analyzed in Chamber Pieces by Ravel, Janáček, and Schumann,” was awarded the Richard F. French Prize for an outstanding dissertation. On Instagram, Cornelia (@pulcinellie_) has a large following for her weekly videos of bassoon excerpts from fairy tale music.
In addition to her position as Principal Bassoonist of the Cayuga Chamber Orchestra, Cornelia regularly appears with world-class ensembles including the Boston Symphony, Seattle Symphony, International Chamber Orchestra of Puerto Rico, New World Symphony, and, on historical instruments, American Bach Soloists and Juilliard415. As a chamber musician, she has performed with the Breaking Winds Bassoon Quartet and at the Kennedy Center, Norfolk Chamber Music Festival, and Fischoff Competition. She has played concerti with the Coeur D’Alene Symphony and an Indiana University orchestra; she was also a Meg Quigley Vivaldi Competition Semi-Finalist and the recipient of the Yale School of Music Alumni Prize and Benzaquen Career Grant.
Cornelia actively seeks to expand the bassoon’s repertoire through her collaborations with composers and her own arrangements. In addition to the new works on her forthcoming album, Cornelia’s arrangements have been performed around the world by members of the Atlanta Symphony, Detroit Symphony, and New York Philharmonic, and her arrangement of Stravinsky's Pulcinella for bassoon and piano was released in 2021 through TrevCo Music Publishing.
An experienced educator, Cornelia teaches and tutors bassoon, piano, music history, music theory, and writing. Cornelia has served as a professor of music history at Juilliard and a Teaching Fellow in arts education at Juilliard, Teaching Artist in Yale’s Music-In-Schools Initiative, bassoon instructor in the Yale Department of Music, and faculty member at Seattle’s Vivace Chamber Players. She has presented masterclasses and lectures at the University of Alabama, Colorado State University, University of Central Arkansas, and International Double Reed Society Convention.
A graduate of Juilliard (D.M.A.), Yale University (M.M.), and Indiana University (B.M.), Cornelia has studied bassoon with Frank Morelli, Kathleen McLean, William Ludwig, and Francine Peterson, and baroque bassoon with Dominic Teresi.